
Separate Ways
Teddy Thompson
The annoyingly brilliant marketing guru and writer Seth Godin recently divided consumers into three categories. At the top is the "Authentic Fringe" --- people who value authenticity. Next come the "Smells Authentic" cadre --- those who prefer "Authenticity Lite," something with just enough real ingredients to pass. Finally, there is the "Factory Fringe" --- people who flee from authenticity "because it reminds them of risk and inconsistency."
If you've been reading Butler for any time at all, you know I've cast my vote with the "Authentic Fringe." Life is short. Work and sleep cut into your day. When you do have time for books/music/movies/art, why reach for crap? To those who say, "Yeah, but I want to relax," I reply: "No problem. There's an easy listening station a few clicks away."
When I reach for a CD, I don't want to relax --- I want to wake up, I want a shot of mental adrenalin, I want to feel something down to my bones, I want the top of my head blown off. For my money, singer-songwriters do that best --- they've created the entire experience, they're in complete charge of the magic. Which is why I have urged Matthew Ryan, Nick Drake, Rodney Crowell, Buddy Miller, Leonard Cohen, John Prine, Steve Earle and Emmylou Harris upon you.
Now comes Teddy Thompson, just 30 but with the mussed-up hair and the innocence of an eighteen-year-old. A Brit, which always suggests a certain facility with language. And a legacy --- he's the son of legendary guitarist Richard Thompson and the singer Linda Thompson.
'Separate Ways,' his second CD, starts like this:
I want to be a huge star
who hangs out in hotel bars
I want to wake up at noon
in somebody else's room
I want to shine so bright it hurts....
Amusing. We've all been there. But what is this? "I wanna be death bed thin." And "I wanna be high strung/Make people wonder/what they've done." Hey, these dreams are not so nice.
That's when you realize that 'Separate Ways' is a time bomb. The music is rich and varied and loaded with star power --- Dad plays guitar on five cuts, one song is a duet with Mom, and backup singers include Rufus and Martha Wainwright. If you didn't listen to the words, you would say this is one happy record, tinged with occasional solemnity.
But the words! Only gradually, as you play the CD over and over (and you cannot help but play it over and over --- it's hypnotic), you find the common thread: the difficulty of relationships, especially when one of the participants is troubled. "Depression looms --- I'm such a miserable fool,“ the second song begins. A song about an affair is called "I Wish It Was Over." In another, he moans: "I saw you in the bar last night/Taking drinks from every guy/Foolish me for thinking we had something." No wonder the narrator of one song finds it "hard to believe that I would be somebody’s idea of love.”
And yet, I repeat, this CD is far from gloomy. It's exciting --- you hear echoes of Joan Armatrading and Tracy Chapman in the voice and phrasing, reminders of some great band you can't quite name in the music. And then, in the title song, you are confronted with a masterpiece.
Brushes on the drum. A delicate acoustic guitar figure. And then these broken-hearted lyrics:
Come rolling into town unaware
Of the power that you have over me
And what am I to do
With hello how are you
Nothing’s ever said that should be
And I don’t care about you
If you don’t care about me
We can go our separate ways
If you want to
The ties of love are strong
But they can be undone
And we’ll go our separate ways
If you want to
I’m turning into me, not you
I can change my mind not my blood
And not all who love are blind
Some of us are just too kind
We forgive too much
And never speak our minds
There's more like that. Much more. It's an open vein of a song. Not to hear it --- not to have it as a reminder of those moments when your life was like that --- is to go through your days slightly blinkered.
I say: Rip off those blinkers. Dare to feel everything that Teddy Thompson serves up on a bed of seductive melodies. Because you are, after all, in the Authentic Fringe.
--- by Jesse Kornbluth, for HeadButler.com
Copyright 2006 by Head Butler Inc
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